A lot has changed since 2020. The world is different, I'm different. We're all different because who could survive the last 3 years without undergoing fundamental changes? Even though I "lost everything," my business, my home, my lifestyle - I've gained far more.
I've reconstructed every aspect of my life and have extricated myself from under the weight of too much stuff. Nicole owns my business, strangers own most of my personal possessions, and a nice artsy gal owns my house. I own very little, and honestly - why did I wait so long to let it go?
Gone are boxes of photos filled with people I barely remember, clothing that no longer fits, the furniture and miscellany that filled every room, closet and corner. Gone is the house with the giant mortgage I could no longer afford. I'm now something of a minimalist. My house is not tiny, but at 640 square feet, it's little. My bedroom is large enough for a twin bed and a bureau. My office/studio is 7 x 12 and is filled with sunlight, books, art supplies, and a brand new yoga mat. Just in case. I am completely happy.
At first, retirement felt like a prison sentence. Years of being the boss of everything made me unfit for leisure. I'm still not very good at it, but at least I don't wake up dreading the longness of the day. I'm finally creating again - a vital part of being me that could get me through just about anything, if I'd let it. This time, the motivation came from an unlikely place.
Last year I was contacted by Dolcezza, a Montreal based fashion house. They'd seen my work somewhere and wanted to license a design for use on a line of women's clothing. Really? As part of my compensation, they sent samples, including this jacket. Each time I wear it, I get compliments and inquiries as to where it was purchased. They contacted me again a few months ago and are working with another design for 2023. My work on fashion? Hmm.
The gorgeous magenta design below was created using a method called monoprinting. I rolled out paint on my plate, placed a pressed wild flower in the center, then hand smoothed a sheet of Japanese rice paper over the top. When I pulled the print, this fabulous pattern was revealed. The thing about monoprinting is that you only get one of any "pull." It's impossible to create the exact same thing again, no matter how much you love it. Before moving, I created literally hundreds of one of a kind prints, with no idea what I'd use them for. Really.
I'm thrilled about this whole direction as my own closet is a wasteland of yoga pants (5 pairs, all black!) and off-price everything else. I thought I'd given up on style, until I learned that I could actually wear my art rather than store it on my computer, or tuck it behind the couch. I didn't even know wearable art was a thing. I did a search on Pinterest and found a stream of stick people wearing what looked like bird cages and LED lights. Apparently, they don't know it's a thing either.
1 comment
So glad to get your newsletter. Happy to hear you are into something great in this new art venture.